Mary Antonia Wood is the Chair of the M.A. in Depth Psychology and Creativity with Emphasis in the Arts and Humanities at Pacifica Graduate Institute, and has published The Archetypal Artist: Reimagining Creativity and the Call to Create, a book that addresses the confluence of Jungian and archetypal psychologies, the artist, the shaman, and creativity itself. I’m delighted to speak with her about her new book.

Angela: The Archetypal Artist does not shy away from the big questions, Mary! You begin the first chapter asking “What is the soul?” And more specifically, the type of soul work facilitated by the shaman, including the cave painters of Lascaux and Les Trois-Frères, the archetypal ancestors of the artist. In your estimation, what is the relationship between creativity and the soul?

Susan Rowland, core faculty at Pacifica Graduate Institute, and author of The Sleuth and the Goddess in Women’s Detective Fiction, among other works of academic writing and fiction, has just had a new book published by Chiron Publications, The Sacred Well Murders. “A simple job turns deadly when Mary Wandwalker, novice detective, is hired to chaperone a young American, Rhiannon, to the Oxford University Summer School on the ancient Celts. Worried by a rhetoric of blood sacrifice, Mary and her operatives, Caroline, and Anna, attend a sacrifice at a sacred well. They discover that those who fail to individuate their gods become possessed by them.” I was delighted to speak with Susan about her new novel, which is available on amazon here.

A blog post by Melissa Ruisz Nazario based on a webinar presented by Keiron Le Grice, Ph.D.

What is archetypal cosmology, and why might you want to study it? Check out the post Archetypal Cosmology, Part I: Beyond Outer and Inner Space for a more in-depth description that gives background on the field.

To summarize, archetypal cosmology is a new discipline but rooted in the ancient practice of astrology. It is based on the idea that the celestial bodies like the solar system’s planets and the sun and their relative configurations reflect the deep order of the psyche—the psyche being the totality of psychological experience, according to C.G. Jung.

A blog post by Melissa Ruisz Nazario based on a webinar presented by Keiron Le Grice, Ph.D.

Astrology is the ancient practice of looking at the relative positions of celestial bodies and their relationship and influence on earth, the natural world, and humans. [1] Depth psychology has to do with psychologies and therapies involving “the exploration of the subtle, unconscious, and transpersonal aspects of human experience.” [2] 

A blog post by Melissa Ruisz Nazario based on a webinar presented by Susan Rowland, Ph.D.

“Depth psychology is a psychology of the creative imagination,” says Susan Rowland, Ph.D., Chair of Pacifica’s M.A. program in Engaged Humanities and the Creative Life. She explains that while depth psychology originated and continues to be a powerful form of psychotherapy, its devotion to the creative imagination makes it important beyond the consulting room.

A guest blog post by Mary A. Wood, Ph.D., co-Chair of the M.A. Program in Engaged Humanities and the Creative Life at Pacifica Graduate Institute. 

“The soul should always stand ajar, ready to welcome the ecstatic experience.” —Emily Dickinson

There are moments in life when time seems to stand still—moments when we find ourselves transfixed, and eventually transformed. These moments can be cosmic in scale, as reflected in the awe that we feel when beholding a rare solar eclipse, or an approaching storm. These moments may also be quite intimate, but no less moving, such as when we witness an animal emerging from hiding or when we hear an exquisite song. We recognize, and always remember these moments because they are announced by bodily sensations; we gasp, our hearts beat faster, and tears often flow.  Our bodies tell us that the ordinary has given way to the extraordinary.  These experiences are best described as “aesthetic,” as we find ourselves living, at least for a few moments, as creatures that are gloriously and achingly alive.

A guest post by Mary A. Wood

“The essential function of art is moral. Not aesthetic, not decorative, not pastime and recreation. . . . But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind. Changes the blood first. The mind follows later, in the wake.” —D.H. Lawrence

“Alchemy starts in desire; desire needs direction.” —James Hillman

Blood is thicker than water—or so the saying goes. Like a myth in miniature, a complete worldview is illuminated in just five words. The bond of family or tribe, whether formed through birth, marriage or intense shared experiences (such as military service) is evident as well when we speak of “blood brothers,” “bloodlines,” and “blood oaths.” Blood itself has always been highly symbolic. It “evokes life’s precious value” as it courses through veins, yet when it escapes it “congeals into a dark haunting symbol of death” (Ronnberg 396). Those that work with blood, such as the surgeon and nurse, share a specialized sphere with the priest who daily transforms water and wine into imaginal blood. Through a multitude of ritualized signals and ceremony (such as uniforms, insignia, and dedicated locations where their work is conducted) all continue to be set apart from the rest of society much like the ancient shaman, alchemist and healer. As “workers of blood” these modern-day practitioners fulfill vital and even sacred roles, yet they are not alone—the artist and the poet are also inheritors of the talents, and the duties, of those who work with blood—“the poet is the transcendental doctor” (Novalis, qtd. in Hillman, Alchemical 340). When the bonds of blood begin to boil over and congeal into unconscious, ominous masses, it is not the physician, nor even the politician, but the artist and poet that can best halt the contagion.

Stories from recent graduates of Pacifica's M.A. Engaged Humanities and the Creative Life Program 

"Pacifica's M.A. Engaged Humanities and Creative Life Program has transformed my life in the best way, giving me a language to speak my truth, and a frame through which life and everything I do seems more meaningful and connected to everything else. The program trained me to live creatively in every single area of my life. I'm less fearful since I studied at Pacifica. I am more free since I completed the program. I am a wife and a mother, and I make a living as a screenwriter for the Hispanic audiences in the US. And I am a performer. Life is still the same life, but I process it in a richer way. I like and honor being a lot of things at the same time. I don't constrain myself to be only one thing, one role any more. This is all thanks to the Engaged Humanities and Creative Life Master's Program I did at Pacifica Graduate Institute."

Mariangelica Duque Wife, Mother, friend, Screenwriter, Mentor, Performer and more