Faculty Spotlight: Mary A. Wood & Susan Rowland, Engaged Humanities and the Creative Life

Posted by Angela Borda on Oct 21, 2019 1:53:00 PM

An Interview by Angela Borda of Mary A. Wood & Susan Rowland, Part I of III

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Posted in: Engaged Humanities

We Are All Parisian

Posted by Nikole Hollenitsch on Nov 25, 2015 3:09:22 PM

A guest post by Dr. Susan Rowland, Chair of Pacifica's M.A. Engaged Humanities and the Creative Life Program.

Dear Everyone,
Ten years ago when Al Quaeda bombed London, the Mayor of Paris said: “today we are all Londoners.” The following day, the Mayor of London, Ken Livingstone, said “We are all Londoners” in Trafalgar Square packed with all of London’s multicultural communities. As a Londoner, then a resident, always by birth, no one speech or event did more to lessen the sense of trauma I felt.

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Posted in: Current Affairs, Trauma, Mythology, Engaged Humanities

The Return of the Goddesses-in Mysteries!

Posted by Nikole Hollenitsch on Nov 13, 2015 11:14:57 AM

Notes on a Depth Discussion between Susan Rowland and Bonnie Bright

If you are an avid reader, the mystery genre is likely a familiar presence in the pleasures of your pastime. Those who love detective fiction really love it, as author and scholar Susan Rowland insists to me in a recent interview, and there is a strong ritual element in the reading and writing of mysteries. There are certain consistencies in every story that one may begin to expect; and yet they continue to enthrall us even as they unfold. Mystery novels hold a place for ritual in our culture, and a sense of wanting to repeat something we already know about, things we expect each time we pick one up.

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Posted in: archetypes, C.G. Jung, goddesses, literature, Engaged Humanities

All Kinds of Classrooms

Posted by Nikole Hollenitsch on Nov 12, 2015 1:02:43 PM

A guest post by Aaron Mason; M.A. in Engaged Humanities and the Creative Life Program Alumnus; 2015

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Posted in: Alumni, C.G. Jung, creativity, Engaged Humanities

Sleuth and the Goddess: Hestia, Artemis, Athena, And Aphrodite in Women's Detective Fiction

Posted by Nikole Hollenitsch on Jul 5, 2015 8:33:00 AM

Goddesses live in detective fiction by women in ways little noticed before The Sleuth and the Goddess; in particular, how Hestia, Artemis, Athena and Aphrodite breathe into and shape woman-authored mysteries, whether driving a hardboiled P.I., such as Sara Paretsky’s V.I. Warshawski, or haunting domestic oriented sleuth Hannah Swensen, composed by Joanne Fluke. Goddesses are structures of consciousness and being, archetypes divining various forms of art rooted in the soul. Although these archetypes defy gender boundaries (so that male gods creep into women’s writing, just as goddesses are seduced or pursued by, or summon a male author), these four goddesses: Hestia of home and hearth, Artemis of hunting, Athena of communal survival, and Aphrodite of wily desire, most deeply incarnate aspects of the sacred in women’s mysteries. Just as subgenres of women’s writing such as the detective “cozy” have not yet received their due of critical attention, so too the goddesses are demanding that more attention be paid to the feminine psyche. The Sleuth and the Goddess shows us that to read the works by renowned authors such as Marcia Muller, Sue Grafton, Diane Mott Davidson, Jacqueline Winspear, Lindsey Davis, and many more, is to summon the goddesses and be blessed by their vision, beauty, and call to danger.

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Posted in: archetypes, gender, goddesses, Engaged Humanities

The Ecocritical Psyche: Literature, Evolutionary Complexity and Jung

Posted by Nikole Hollenitsch on Jan 5, 2015 12:09:00 PM

A guest post by Dr. Susan Rowland. The following is excerpted from The Ecocritical Psyche: Literature, Evolutionary Complexity and Jung

 

"A psychologist, C. G. Jung was acutely aware of the difficulty of writing about nature. To him, the unconscious is how non-human nature inhabits human beings. Unfortunately, the non-human and the unknown psyche are territories resistant to everyday language.

Here is an example of Jung's use of nature as a simile, a kind of metaphor using `like' or `as':

The moment one forms an idea of a thing. . . One has taken possession of it, and it has become an inalienable piece of property, like a slain creature of the wild that can no longer run away.
(Jung 1947/1954/1960, CW8: para. 356)

Jung is looking at the nature of the psyche and how it can be captured in writing. After all, to write about the psyche is to fall into a trap. Only the psyche itself, meaning all the properties of the human mind, conscious and unconscious, can reflect upon the psyche. There is no standpoint outside the psyche from which to view it with scientific detachment. If there is a nature of the psyche, it is one in which we are always enmeshed.

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Posted in: The Psyche, C.G. Jung, nature, Engaged Humanities